Showing posts with label PRINCESS BEATRICE. Show all posts
Showing posts with label PRINCESS BEATRICE. Show all posts

Saturday, January 30, 2016

THE EVOLUTION of the BEARDED IRIS Arthur J. Bliss



THE GARDEN
November 5th, 1921.




THE EVOLUTION of the BEARDED IRIS


The very considerable developments, during recent years, in the characteristics of this 
fascinating flower are but the harbingers of even more extensive developments in the not distant future.


IMPROVEMENT in our principal garden flowers is always going on. At times it may be slow or even seem to cease, then, perhaps, a new species may be introduced, or it may be simply that a freer imagination is applied to the task, and once more the flower sets forth on its onward course towards that ideal of perfection which will always be just beyond. When a flower is in its most active period of development one is tempted to try to forecast its future. Not too far ahead, for that can be little better than random guessing. But for the immediate future we can have every confidence, and even certainty within limits, in the light of the knowledge that Mendel's laws have given us, and especially if we have records of the ancestry of our present varieties. In fact, breeding will some day become an exact science, and when all the characters of a flower have been analysed and their factors and their interrelationship determined (as Miss Saunders and Miss Wheldale have already done for the colours of Stocks and Snapdragons), flowers will be made to order. The Iris is now in such an active period of development. Let us roughly analyse its characters and see wherein has been the improvement that has made the Iris of to-day so greatly superior to the earlier varieties. We may then see perhaps what further possibilities there are on these lines in varying combinations, and gather suggestions of improvement in other directions that appear to have been so far neglected or overlooked.

We deal chiefly with the individual flower. For those whose ideal in the garden is masses of harmonious and contrasting colour the florist's ideals of perfection of the individual flower are no doubt scarcely understandable, but it is in the flower—its size, form, colour and substance— that the progress has been made. These are the essential characters—habit, height and freedom of flowering, though by no means negligible, are of secondary importance in displaying the flower to best advantage.

In freedom of flowering the Flag Iris of to-day is, perhaps, no better than the earlier varieties, and there are, indeed, some with the highest qualities of size, form and colour that are all too shy, but on the whole the free-flowering qualities have been at least maintained, and this is a notable achievement, since increased size and quality is so often accompanied with fewer flowers. There is, then, every indication that the Iris of the future will not only be as free flowering as those in the past but will surpass them.
The introduction of Trojana has given us generally a taller and wider branching habit, well adapted for specimen plants. The type of the older varieties, however, was often equally freely branched, but with shorter and less spreading side stems, thus holding the flowers closer, and these are more suitable for massing. The two types, as they each have their use, will be maintained side by side in the future, but the tendency is towards the wider branching habit, as it displays best the larger and finer formed flowers of the newer Irises.
The general height of Irises has also been increased, so much so that except for special positions 2ft. is a minimum, and the average is between 2ft.6in, and 3ft, The introduction of Ricardi, Junonia and Mesopotamica has produced still taller plants with noble spikes 5ft. high, but as yet the flowers are poor in form and colour, and the constitution of these varieties is so weak and uncertain that they are of no use for general cultivation at present. There is no doubt, however, that these drawbacks will be overcome in time and that the average height of Irises will be between 3ft. and 4ft.

It is in the individual flower that the greatest and most remarkable advances have been made. We must try to see what it is that constitutes this general improvement. There can be no single or exclusive ideal of beauty for any flower; but that there are some principles which, applied in various ways, will give several or many different types of beauty, each ideal in its own way, no one could doubt if they compare the best of the newer Irises with the older varieties. And I think that the main principle is symmetry or balance. A f.lower may be small or large, and its form may vary within limits, and yet it may be beautiful if perfectly proportioned. Again, in colour, the ultimate criterion of excellence seems to be richness and purity—harmony and contrast being much more elusive and indefinite.

Let us then sum up the qualities in the flower of the modern Flag Iris. Already it is, on the average, larger—much larger—than the older varieties, and so long as the symmetry and balance of the flower and its substance and colour is maintained no limit can be set, and it may be that even larger flowers will be attained. There are, however, already in existence flowers so large in comparison with the species that have helped to produce them that the work of the immediate future will be in perfecting the form of these giants and producing them in the full range of Iris colours (the pure yellow standard variegata type is still comparatively small) than in any appreciable increase of size. These include such varieties (to mention only a few) as Lent A. Wiliamson (the finest and largest American variety), Vilmorin's Magnifica and Ambassadeur, Hort's Ann Page, Yeld's Asia and Prospero. Denis' Mdlle. Schwartz, and my Titan, Cardinal and Bruno. Nevertheless, the Iris will eventually be larger even than these. In substance likewise there has been a very great advance, of which Dominion was the first and is still the most remarkable example. Many of even these largest-sized Irises have great substance and stand firm through sunshine or rain to the last. It may be noted also that this increase of substance is always combined with, and is probably partly the cause of, the richer colouring of these flowers. The only one of the old standard varieties that has anything like such substance is pallida dalmatica Princess Beatrice.

When we compare the newest with the old varieties, the most obvious improvement in the form is in the broadening of the segments. And it is the most important In this the old florists were right, but when they laid it down that the circular outline was the one and only ideal form they fell into the error of pushing things to extremes. For though it is true that a circle is the logical conclusion of the principle of broadening a surface in proportion to its length, beauty is not based on logical conclusions. The Iris, like all flowers has a distinctive form of its own with three upright standards and three either hanging or spreading falls. In the perfect flower these two sets of petals must be balanced One of the effects of the introduction of Trojana has been to give us oblong unbalanced flowers. Not even the beauty of colouring of Isoline can compensate altogether for its lack of refinement of form. This defect is now being bred out by mating Trojana hybrids with broad-petalled varieties, and in the near future we shall have perfectly proportioned flowers with all the size of Trojana and Macrantha. Such, indeed, are already in existence, and they demonstrate beyond question that size is no bar to refinement of form.



Mr. Hort's ANN PAGE and Mr Yeld's  PROSPERO
'The Garden' 1921.

The form of the standards still needs much improvement. They are always of less substance than the falls, but they should have enough to stand up stiff and not flop in hot sunshine. They should curve outwards from their base, meeting again at their tips. At present few Irises do more than approximate to this ideal, and 1 do not see any special tendency yet to an improvement in this direction. But when such flowers, having finely arching standards, are compared with those having flatter or overlapping or open or erect standards and it is realised how essential this character is to the beauty of form, its selection will be more carefully attended to in the future.

The falls are more nearly approaching perfection, in smoothness and in outline. Their disposition gives scope for varying types—the flat hanging, the rounded drooping, and the spreading or "flaring" (to use the American term). The standards with revolute edges displaying the interior of the flower is often an effective and beautiful type, especially when the style arms are of a contrasting colour, and this form strengthens the standards though it gives a narrower appearance to the flower. Even the type with open cupped standards is sometimes pleasing when it is accompanied, as it usually is, with broad-hafted spreading falls. All these types are being developed, but not, I think, with any definite selection. It is in the colouring that the greatest general advance has been already made, and yet it is also in colour that we may expect the most important developments in the near future.

The richness of the colouring of the falls of the most recent varieties and seedlings already in existence far surpasses anything seen in all but a very few of the old varieties, such as Jaquesiana or Maori King, and this richness is accompanied by a velvety or satiny surface which seems very likely to be due to their extra substance. This will undoubtedly be a feature of all Irises in the future. In all the self flowers we have, now, purer and brighter colours, but there is still scope in this direction, especially in deeper coloured self-violet pallidas, and these may be expected very soon. The range of colour is also extending, and colours are now beginning to appear (as in many other florists' flowers since the adoption of Mendelian methods in breeding) of art blends, soft and delicate in the standards, contrasting harmoniously with warmer, richer tones in the falls Vilmorin's Isoline, Mount Penn, Wyomissing and others of Mr. Farr's seedlings, M. Denis' Troost and Deuil de Valery Mayet, and, in deeper tones, Vilmorin's Opera are examples, and are being added to and surpassed.

Among other new colour developments may be mentioned Miss Sturtevant's Shekinah, a luminous yellow self of pallida form and habit, and Citronella with soft yellow standards and crimson veined falls, also of pallida size and form and exceptionally free flowering. From these it is only a step to a true yellow-ground plicata in fact, a slightly different but similar series of crosses such as produced these should produce it, and it may be even now in existence. Plicatas are now appearing in giant size and more perfect form, and with a wide range of margin colour and often finely spotted. Flowers with yellow standards and white falls are likely to appear someday. Crusader and Blue Bird show that we may hope for a flower at least as near blue as the Monspur or the Sibirica sanguinea hybrids, and though the crimson Iris is still far off, we may at least hope for a substantial advance towards it in the near future.

All these forecasts are, in the light of the knowledge that Mendel's laws have given us, well within sight. There are other possibilities, hints of which have been given by chance seedlings— that may perhaps be mutations—which may be realised some day but in the more distant future. I will mention but one. The seedling I have named Samite, a self-cream white, is remarkable in several characters, and I hoped to get new types from it, but all the more obvious crosses that I made were failures. 
One chance cross, however, most unexpectedly produced a series of seedlings, all of which were more or less of the Tigridia type, with small weak open standards and very broad falls spreading almost horizontally, and some with abnormally broad hafts that, together, almost formed a cup, as in Tigridia. Furthermore, the hafts are covered with comparatively large and defined spots. The resemblance to a Tigridia is certainly far away, especially in colour, but it is suggestive. And it is from such suggestions that our flowers give us that new types come rather than from our unaided imagination. At any rate, it is safe to say that for all the great improvements already, obtained the Iris is yet only at the outset of its career, and there are still infinite possibilities of its development.

A. J. BLISS.



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Sunday, May 3, 2015

Historic Tall Bearded Iris CLEMATIS




Is flat form of the Bearded Iris flower the archetype of all Irises?? I think the augment has an enormous amount of validity. 'CLEMATIS' is an interesting Iris which today would be celebrated as a 'Flattie', but created some controversy in the 1920's. John Wister at the time the President of the American Iris Society had very strong views regarding 'Clematis' enough to make a note to himself to "throw it out of his own garden". The American Iris Society had real straitjacket views when it came to irises that did not follow their point of view on what constituted the form and look of a bearded Iris. The publishing of the Discard List in 1931 was a extraordinary low point in the "We Know Best Iris world". 
Arthur Bliss had 35 Irises including 'Clematis' entered on the discard list.
Its not like the form of 'CLEMATIS' flowers was anything new, Peter Barr showed an red coloured form of pallida with a clematis like appearance named 'MANDRALISCAE' (Collected Italy) which was given a certificate of Commendation by the Royal Horticultural Society at Hampton Court flower show in 1903, its plum colour was also noted for crossing.
Bertrand H. Farr in 1922 also registered an Iris of similar form which he named 'JAPANESQUE' and this was also listed on the AIS 1931 Discard List. 

The Iris 'CLEMATIS' is so interesting there is more information in the following post, I have tried to keep my research as comprehensive as possible.

The Gardeners Chronicle June 14th 1919
Nursery Notes
Irises at Colchester
  
A rather unusual form was seen in the variety Clematis, for instead of having a well-defined standard the segments hang down as in the falls and moreover, the standard segments have beards so that the flower must be regarded as an abnormality. The effect was that of a more regular flower than is usual in Irises, and it is from this fact that the name Clematis was given to it.


Cayeux & Le Clerc, Quai de la Mègisserie, 8, Paris. Catalog 1923.
Clematis (Bliss 1917). Special variety. The shape of the flower is more like and exceptionnally fine I. Kaempferi or a large six petalled Clematis flower. All six segments of the flower are beardless and reflexed horizontally. Colour light violet with variable veining at the base. Strong growing. Has obtained a Certificate of Merit of S.N.H.F.when shown by us on May 1922.


Bulletin of the American Iris Society, January 1923, Number 7.
Descriptions of Varieties, Part II.
CLEMATIS 78 (9)
Self, veined. VR-V. (1). Bliss, 1917
Brief. Light lavender violet, both the falls and the horizontally held standards veined darker at the haft; stalk low and well-branched-;
growth vigorous; 30 in.
Details. Styles and F. flaring; beard white.
Remarks. Not distinctive until the standards open flat forming a clematis, or rosette shaped flower. Cert. S. N. H. F., 1922-.

Treasure Oak Nursery, Mays Landing, New Jersey, Catalog of Select Iris and Peonies, 1923.
The Best and Rarest of the Iris.
7.8 CLEMATIS. (Bliss 1917.) $2.00
Clear light violet. Segments in these blooms reflex horizontally, giving it a clematis-like flower or appearing somewhat like a Japanese Iris, an effect more novel than handsome.


The Dean lris Gardens, Moneta, California. Choice Iris, Price List 1924.
Some of the More Recent Introductions of Tall Bearded Iris
Clematis (Bliss). An open flower of pale violet, base of standards and falls veined darker. Very floriferous.
Each, $2.00.


Bulletin of the American Iris Society, January 1924, Number 10.
Practical Points, R. S. Sturtevant
ABNORMAL DEVELOPMENT
Analogous development occurs in other irises when the beard is transformed into a crest or ridge, when two flowers are closely superimposed or juxtaposed, and when the standards are held horizontally and develop the beards (very rare) and haft markings of the falls. This last occurs commonly in the varieties Clematis, Rosette, and Japanesque and Dorothea, Eldouard Michel, and others tend to this formation, often it is more, a matter of poor substance: rather than actual intention.


Rainbow Iris Gardens, Farmington, Minnesota, 1925.
CLEMATIS Unique. Shaped like an exceptionally fine Japanese iris or a large six-petaled Clematis. All six segments of the flower reflect horizontally. Color light clear violet with variable veining at the base. Strong grower, free flowering and fragrant.

Lee R. Bonnewitz Catalog,Van Wert, Ohio,1926.
CLEMATIS (Bliss)
S. deep lavender; F. deep lavender-purple with white reticulations at the base. Yellow beard. Strong growing, free flowering and fragrant. This variety has very much the form of the intermediate variety, Dorothea. Although it is an English Iris, it received an Award of Merit at the International Iris Show in Paris three years ago, but I am not altogether sure it deserved this high honor. It does, however, resemble the Clematis after which it is named.





American Iris Society

Discard List 1931.
BEARDED IRISES
Compiled by J. E,.Hill and E. A. S. Peckham
Explanatory Note
The varieties of Bearded Irises marked with the sign, $, in the Alphabetical Iris Check List 1929 as extinct or superseded, together with numerous additions, are named in this list.
The order of presentation, i.e., varietal name, class and authority for the name, and the abbreviations, are those used in the Check List to which the reader is referred for more complete information.
The classes in the Bearded group are abbreviated thus:
DB: Dwarf bearded.
IB : Intermediate bearded.
MB : Miscellaneous bearded. Hybrids between the species of the sections Oncocyclus, Regalia, and Evansia, and the species of the group Pogoniris.
TB: Tall bearded.
Care should be used in the application of the list. Of two varieties which have the same name only one may have been discarded. It is for this reason that the authority for the name is given. For example: Princess Beatrice - TB - Barr, is retained, Princess Beatrice - TB - Sal., a white blue feathered variety, is discarded; Fairy - TB - Ken., is retained, Fairy TB - Cap., is discarded, etc. It is hoped that the reasons for the preparation of the list will be respected and that ultimately discarded irises will not be grown.
Clematis-TB-Bliss

Bulletin of the American Iris Society, April 1932, Number 43.
ARTHUR JOHN BLISS
Irises Raised or Introduced by A. J. Bliss, by E. A. S. Peckham.
CLEMATIS caused much discussion because of its peculiar flat form and Mr. Bliss had to come to its defence as he was criticised for allowing it to be introduced. The color was a very clean, clear blue, much more a real blue than was the case in iris as known then and it made a good mass in the garden and so it had its defender, but the sticklers, for a particular form in irises were irate and said it was a cripple in exactly the same manner as discussion raged over BRANDYWINE, some upholding it for its blueness, others damning it because of its bad habit of having extra parts and trying to "go double." I do not mean that CLEMATIS had a doubling habit but the standards lying flat as they do gave an appearance not unlike the kaempferi hybrids we know as. "Japanese" iris.

A H. Burgess and Son, Iris Specialists, Waikanae, Wellington. 1936 Irises.
CLEMATIS - The shape of the flower is like a six petalled Clematis. Standards and Falls reflex horizontally. Colour, light clear blue, veined at base. Strong growing and fragrant. Mid-season.. 2ft. 

AIS Checklist 1939
CLEMATIS  TB-M-B3M (Bliss, 1917) Wallace 1917, Garden Chronicle 14th June 1919; John Scheepers Inc, 1920; Lee Bonnewitz, 1920; Earl Woodward Sheets, 1928; The Garden 85: 304. 18th June 1921; Novato Nursuries, 1933; Buccleuch Nursuries,1938; AAA Journal Royal Horticultural Society  137;
(CORDELIA X PRINCESS BEATRICE) , C.M., S.N.H.F. 1922; Journal Société Nationale d'Horticulture de France. 23; 218, June 1922; $ 





As always clicking on the above image will take you to the larger, higher resolution version. Major Hat Tip to Anne Milner for her amazing photo's and catalogue listings.

For more on Arthur Bliss Irises be sure to visit Anne Milner's National Collection of Arthur Bliss Irises web site. Listed in the above 'International Iris Links tab.


Reproduction in whole or in part of these photo's without the expressed written permission of Anne Milner is strictly prohibited.
Photo credits and copyright Anne Milner and Bliss Irises © .


Reproduction in whole or in part of this post, its opinions or its images without the expressed written permission of Terry Johnson is strictly prohibited. Copyright Terry Johnson and Heritage Irises ©







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